“看得见的敌人”及其边界——论《红日》对张灵甫的艺术重构经验  

The"Visible Enemy"and Its Boundaries:On the Experience of Artistic Reconstruction of Zhang Lingfu in Red Sun

作　　者：张均 Zhang Jun

机构地区：[1]广州新华学院中文系教授,广东广州523133 [2]中山大学中文系,广东广州510275

出　　处：《复印报刊资料（中国现代、当代文学研究）》2023年第3期139-149,共11页MODERN AND CONTEMPORARY CHINESE LITERATURE

基　　金：国家社会科学基金重大项目“红色文艺与百年中国研究”(21&ZD259)。

摘　　要：在1950-1970年代文学中,对反面人物予以他者化处理是为叙述“成规”,但以真实人事为原型的长篇小说《红日》却不循常例,拒绝可以用于“他性”建构的本事材料,以“把他们当作活人”为追求,比较忠实地呈现了“国军”将领张灵甫的忠报之道及其军“魂”,使之成为不多见的“看得见的敌人”,但同时亦坚守“人民”边界,而少有当前一些“去政治化”战争叙述之弊。此种正剧化的社会主义文学艺术经验,值得重新辨识并有效鉴取。In the literature from the 1950s to the 1970s,the otherization of the villain was taken as a"norm"of narra-tive.However,Red Sun,a novel based on the true story,did not follow the norms.It rejected the materials that could be used to construct"otherness"and pursued"treating them as living beings".It faithfully presented General Zhang Lingfu's loyalty spirit and his military spirit,making him a rare"visible enemy",but meanwhile adhered to the"people"boundary,with few defects of the current"depoliticized"in some war narratives.This kind of dramatized experience of socialist literary and ar-tistic creation is worthy of re-identification and effective discrimination.

关 键 词：《红日》 张灵甫 正剧化 

分 类 号：I207.425[文学—中国文学]