音色塑造在音乐剧表演中的实践探索——以音乐剧《人间失格》中“祝子”一角为例  

A Practical Exploration of Timbre Shaping in Musical Performance:Take the Role of YOSHIKO in the Musical"NO LONGER HUMAN"as an Example

作　　者：李炜铃 LI Weiling

机构地区：[1]上海视觉艺术学院,上海201620

出　　处：《上海视觉》2024年第1期121-128,共8页Shanghai Vision

摘　　要：在音乐剧这一表演艺术形式中,角色的塑造是至关重要的。而选择恰当的音色,是塑造角色的主要方式之一。不同的音色有不同的塑造方式。笔者总结了自己的实践经验,以参演中文原创音乐剧《人间失格》中的“祝子”为例,对音乐剧表演中音色的塑造进行探索。首先,笔者将从音色如何帮助音乐剧演员竖立人物设定、抒发人物情绪两方面论述音色对于音乐剧角色塑造的重要性;随后,将介绍自己身为音乐剧演员,如何为自己所饰演的角色选择合适音色。In performing art such as musicals,character building matters most,and it is crucial to choose the proper timbre.Different timbre have different ways of shaping.The author summarizes her own practical experience,taking the role YOSHIKO in the original Chinese musical"NO LONGER HUMAN"as an example,to explore how to shape different timbre in musical performances.First of all,the author discusses the importance of timbre for building musical characters,from the two perspectives of how timbre helps musical actors to establish character settings and express character emotions.Then,the author introduces how she,as a musical actor,chooses the appropriate timbre for the character she plays.

关 键 词：音色 角色塑造 人间失格 音乐剧唱法 

分 类 号：J82[艺术—戏剧戏曲]