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作 者:孙梦婕 鲁海峰[1] SUN Mengjie;LU Haifeng(Art College,Huzhou University,Huzhou 313000,China)
出 处:《服装学报》2024年第3期250-258,共9页Journal of Clothing Research
基 金:浙江省哲学社会科学规划青年课题项目(24NDQN021YB)。
摘 要:清初的苏州版画作为珍贵的历史文化资料,展现了当时女性服饰的多样性与个性化。采用内容分析法,结合对清初苏州版画中女性服饰元素的图像分析和内容解读,探究清初苏州女性服饰的时尚特征及个性化表现。结果表明,苏州女性服饰的个性化趋势源于经济繁荣和社会观念的变革。在经济独立和社会地位提升的背景下,苏州女性在时尚选择上表现出更大的自主性和多样性,版画中的云肩、水田衣等服饰元素不仅是时尚的象征,更反映了她们在社会地位、文化传统和个人身份认同上的表达。这些发现不仅为理解当时社会文化提供了重要线索,也深化了对女性时尚与社会文化互动关系的认识。The woodblock prints of Suzhou in the early Qing Dynasty serve as valuable historical and cultural records,revealing the diversity and individualization trends of women's clothing at that time.Employing content analysis,this study combines image analysis and contextual interpretation of female clothing elements in Qing Dynasty Suzhou woodblock prints to explore the fashion characteristics and individualization of women's clothing.The results indicate that the individualiza-tion trend in Suzhou women's clothing stemmed from economic prosperity and shifts in social norms.Against the backdrop of economic independence and improved social status,Suzhou women exhibited greater autonomy and diversity in their fashion choices.Clothing elements such as cloud shoulders and shuitian garments in the prints not only symbolize fashion but also reflect their expressions of social status,cultural traditions,and personal identity.These findings not only provide impor-tant clues for understanding the social culture of the time but also deepen our understanding of the interaction between women's fashion and social culture.
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