詹安泰旧体诗的诗学宗尚及创作成就  

The Poetic Preferences and Creative Achievements of Zhan Antai’s Old Style Poetry

作　　者：赵雅娟 ZHAO Ya-juan(College of Literature and Journalism,Hanshan Normal University,Chaozhou,Guangdong,521041)

机构地区：[1]韩山师范学院文学与新闻传播学院,广东潮州521041

出　　处：《韩山师范学院学报》2024年第4期16-24,共9页Journal of Hanshan Normal University

基　　金：广东省社科规划项目(项目编号:GD20CZW10)。

摘　　要：从历史渊源和时代风潮的角度来探究,詹安泰的诗歌创作上承岭南诗派的雄直之气与家国情怀,又因师承和时代文化氛围而受到清末“同光体”的诗歌理论与审美倾向的影响,再加上抗日战争时期随中山大学播迁滇南粤北的个人境遇及阅历,最后形成了清新真挚、平夷深厚的诗歌风格,又加以李贺的绮丽、孟郊的幽峭,助以韩、苏汪洋恣肆的笔势,真切地描绘了抗战时期的时代浪潮和粤东家乡及播迁云南粤北各地的风土人情,展现了20世纪初期中国传统知识分子的精神世界,体现了传承旧学与写照现实的积极作用。From the perspectives of historical origin and the trend of the times,Zhan Antai’s po-etic creation inherited the majestic and patriotic sentiment of the Lingnan Poetry School,and was in-fluenced by the poetic theories and aesthetic tendencies of the Tongguang Style in the late Qing Dy-nasty because of the cultural atmosphere of the times,as well as his personal situation and experi-ence of moving to the south of Yunnan Province and the north of Guangdong Province with the Sun Yat-sen University during the War of Resistance against Japanese Aggression.Finally,he formed a fresh,sincere and profound poetic style,complemented by Li He’s grandiloquent style,Meng Jiao’s seclusive style,and Han Yu’s and Su Wangyang’s unrestrained style.Zhan’s poetry truly depicted the tide of the times during the War of Resistance and the local conditions in his hometown in the eastern part of Guangdong Province and in the northern part of Yunnan Province where he moved,showing the spiritual world of the traditional Chinese intellectuals in the early twentieth century,and embodying the positive role of inheriting the old Chinese learning and portraying reality.

关 键 词：詹安泰 旧体诗 诗学宗尚 

分 类 号：I207.23[文学—中国文学]