男权视域下市井女性形象演变——从宋元话本到《水浒传》  

The Evolution of the Image of Ordinary Females in Cities from the Perspective of Patriarchy——From Song and Yuan Dynasty Scripts to The Water Margin

作　　者：黎荔[1] LI Li(School of Humanities,Xi’an Jiaotong University,Xi’an Shaanxi 710049,China)

机构地区：[1]西安交通大学人文学院,陕西西安710049

出　　处：《菏泽学院学报》2024年第3期99-102,共4页Journal of Heze University

摘　　要：将宋元话本中描写婚姻爱情的女性主人公与《水浒传》中婚姻情感的市井女性相比,可以看到《水浒传》对宋元话本女性形象的传承与改变。二者都以聪明伶俐有才能的女性为描写对象,并给了她们同样的悲剧命运。但与宋元话本只是单纯描写女性自身情欲的放纵不同,《水浒传》已隐约表达出婚姻的不匹配和女性婚后情感不能满足是女性悲剧的重要原因,《水浒传》的作者与宋元时代男权社会对女性的情感认识相比已经有很大的进步。Comparing different female protagonists in Song and Yuan Dynasty Scripts and The Water Margin,it can be seen that the latter inherited and changed the female images in the former.They both depicted intelligent and talented females,and gave them the same tragic fate.Unlike the simple portrayal of women’s own desire indulgence in the Song and Yuan Dynasty Scripts,The Water Margin vaguely expressed that the mismatch of marriage and the dissatisfaction of post-marital emotions were important reasons for women’s tragedies.Compared with the patriarchal society of the Song and Yuan dynasties,the author of The Water Margin had made great progress in understanding women’s emotions.

关 键 词：宋元话本 市井女性 形象演变 

分 类 号：I207.41[文学—中国文学]