“戏改”背景下新编秦腔《武松锄奸》的成功及借鉴意义  

The Success and Reference Significance of Revised Shaanxi Opera Wu Song Chu Jian under the Background of Opera Reform

作　　者：高日晖[1] 杨垚垚 GAO Ri-hui;YANG Yao-yao(School of Literature,Dalian University,Dalian Liaoning 116622,China)

机构地区：[1]大连大学文学院,辽宁大连116622

出　　处：《菏泽学院学报》2024年第3期126-130,共5页Journal of Heze University

基　　金：国家社科基金艺术学一般项目“近代以来地方水浒戏文献整理与研究”(20BB022)。

摘　　要：20世纪中期在新中国戏曲改革运动背景下,白雨新编了秦腔《武松锄奸》。《武松锄奸》对《水浒传》进行了新的创造,将侠义思想与人民性结合起来,塑造了一个具有侠义精神与人民英雄兼备的新武松形象。对我们今天传承发展经典文学有借鉴意义。In the middle of the 20th century,under the background of the new Chinese opera reform movement,Bai Yu revised Shaanxi Opera Wu Song Chu Jian and created a new image of Wu Song with chivalrous spirit and hero of the people out of The Water Margin,which was of reference significance for us to inherit and develop classical literature today.

关 键 词：武松形象 侠义思想与人民性 秦腔 

分 类 号：J825[艺术—戏剧戏曲]