神话主义与模棱的原始性——云南少数民族节庆旅游中神话的时间叙事  

Mythologism and the Ambiguity of Primitivity:Temporal Narratives of Myths in Ethnic Groups Festival Tourism in Yunnan

作　　者：高健 Gao Jian

机构地区：[1]云南大学文学院,昆明650091

出　　处：《复印报刊资料（民族问题研究）》2023年第11期12-19,共8页ETHNIC STUDIES

基　　金：国家社会科学基金重大项目“中国神话资源的创造性转化与当代神话学的体系建构”(编号:18ZDA268);国家社会科学基金一般项目“遗产旅游与中国神话资源的创造性转化研究”(编号:18BZW177);国家社会科学基金青年项目“20世纪以来南方少数民族史诗学术史研究”(编号:18CZW049)的阶段性成果。

摘　　要：少数民族节庆旅游是时间之旅,东道主将神话作为一种“时间距离化”的手段,通过情境性叙述、具身性体验与仪式性表演等“原始语法”,把游客带到神话的原初时刻。然而,由于原始的多义性并存、游客的阈限体验、表演的时空异位以及从原始到现代的时间跨越等原因,节庆旅游中的神话主义具有“模棱的原始性”特点。这是一种非绝对化、非简化、非二元的特点,它表明神话主义是多元主体互动的过程性结果,也是神话传统丰富性的延续。Festival tourism involving ethnic groups is a journey through time,where hosts use myths to achieve"temporal distancing".Through the use of"primitive grammar"encompassing situational narratives,embodied experiences,and ritualistic performances,visitors are transported back to the seminal moments of the myth.However,due to the coexistence of multiple interpretations of primitivity,the liminal experiences of tourists,the temporal-spatial dislocation of performances,and the temporal leap from primitive to modern,the mythologism within festival tourism manifests the characteristic of"ambiguity of primitivity".This is a non-absolute,non-simplified,non-binary trait,indicating that mythologism is a processual outcome of the interaction of multiple subjects and a continuation of the richness of mythic traditions.

关 键 词：神话主义 原始主义 神话时间 模棱的原始性 少数民族节庆旅游 

分 类 号：C95[社会学—民族学]