乐中写悲——曹植《登台赋》中的悲情描写  

Sadness in Happiness—The Description of Sadness in Cao Zhi’s Deng Tai Fu

作　　者：徐乐 XU Le(Liaoning Normal University,Dalian Liaoning 116000,China)

机构地区：[1]辽宁师范大学,辽宁大连116000

出　　处：《齐齐哈尔高等师范专科学校学报》2024年第3期53-56,共4页Journal of Qiqihar Teachers College

基　　金：辽宁师范大学中国古代文学虚拟教研室项目,项目编号:LSXNJYS202208。

摘　　要：曹植《登台赋》中“悲鸣”一词的出现是对汉代盛行的“以悲为美”悲美意识的继承与自觉实践。此处的“悲鸣”并非真悲,而是乐事乐情书写中为表现主题的一种自然技巧的运用,这种不含情绪转变的悲情描写属于悲美意识发展到第三阶段的更自觉的应用。本赋中悲美意识的呈现使作品主题更加突出,进而使情感得到进一步彰显。The emergence of the word“utter and calls”in Cao Zhi's DengTaiFuis the inheritance and conscious practice of the sadness consciousness of“taking sadness as beauty”prevailing in the Han Dynasty.The“utter and calls”is not true sadness,but the use of a natural skill to express the theme in the writing of happy things.This sad description without mood changes belongs to the more conscious application of the development of sadness and beauty consciousness to the third stage.The presentation of sadness and beauty consciousness in this text makes the theme of the work more prominent,which in turn makes the emotion further manifested.

关 键 词：曹植 登台赋 悲鸣 以悲为美 

分 类 号：I206[文学—中国文学]