创作语境下的大别山红色主题中国画表现语言研究  

Research on the Expressive Language of Chinese Paintings with the Red Theme of the Dabie Mountains in the Context of Creation

作　　者：赵本钧 ZHAO Benjun(School of Arts,West Anhui University,Lu'an 237012,China)

机构地区：[1]皖西学院艺术学院,安徽六安237012

出　　处：《皖西学院学报》2024年第3期15-18,共4页Journal of West Anhui University

基　　金：2022年全省思想政治工作能力提升项目(dbs2002007);安徽省教育厅质量工程教学研究重点项目(2023jyxm0697);安徽省教育厅质量工程教学研究重点项目(2022jyxm1745)。

摘　　要：红色文化主题性创作是我国当代中国画创作的重要组成部分,是创作者进行主题性美术创作的主要的题材来源。大别山革命老区红色资源丰富,红色经典故事脍炙人口,把大别山红色故事,创作成能弘扬积极向上的价值理念和文化思想的绘画作品,是当下高校美术创作者传承红色基因,以美术弘扬社会主义核心价值观,引领社会主义主旋律下的审美方向和美学思想的使命担当。本文从大别山红色题材主题性中国画创作的历史沿革入手,对中华人民共和国成立以来的革命题材、红色题材主题性中国画创作的表现语言进行分析研究,就红色题材主题性中国画创作的当代价值和艺术创新进行探析,寻找新时代创作语境下大别山红色题材主题性中国画创作中的要点和难点,为高校中国画创作的教育教学提供新的思路和方法。Red theme works are an important part of contemporary Chinese painting creation in China,and are the focus and main source of subject matter for artists.The old revolutionary area of the Dabie Mountains is rich in red resources and popular red classic stories.Creating red stories in the Dabie Mountains into paintings that can promote positive values and cultural ideas is a mission that Chinese painting creators must strive to practice in the new era.Starting from the historical evolution of the creation of red-themed Chinese paintings in the Dabie Mountains,this paper analyzes and studies the expressive language of revolutionary themes and red-themed Chinese paintings since since the founding of the People's Republic of China,explores the contemporary value and artistic innovation of red-themed Chinese paintings,and finds the key points and difficulties in the creation of red-themed Chinese paintings in the context of the new era,so as to provide corresponding theoretical references for the creation of Chinese paintings.

关 键 词：红色文化 主题性 中国画创作 表现语言 

分 类 号：J212[艺术—美术]