浅谈陆帕戏剧中的角色创造--以《酗酒者莫非》为例  

On Character Creation in Lupa’s Drama--Taking The Drunkard Murphy for Example

作　　者：陶桃 Tao Tao(Shanghai Theatre Academy,Shanghai 200040,China)

机构地区：[1]上海戏剧学院,上海200040

出　　处：《黑河学院学报》2024年第7期153-155,173,共4页Journal of Heihe University

摘　　要：克里斯蒂安·陆帕(Krystain Lupa)是波兰戏剧导演,其戏剧中的人物有着复杂的内心活动,演员在创作角色时一边分析当下的情境,一边以角色的身份历经着文本中的旅程,演员与角色在不断地重叠、转化、再融合中实现统一。陆帕相信角色的创作依靠的是演员无穷无尽的想象力,认为演员具有丰富的可能性可以创造各种角色,其开放式的创作方式为演员开辟了足够的空间享受角色的创作。陆帕用梦的方式与观众交换秘密,希望观众看完戏离开剧院时有一种像是做了一场前所未有的梦境之感。Krystain Lupa is a Polish drama director.The characters in his plays have complex inner activities.When the actor creates the roles,he needs to analyze the current situation while going through the same journey in the text as the characters.The actor and the character can achieve unity through continuous overlapping,transformation and re-integration.Lupa believes that the creation of characters relies on the actor’s endless imagination,and the actor has rich possibilities to create various roles.This open way of creation opens up enough space for the actor to enjoy the creation of the roles.Lupa exchanges secrets in the form of dreams with the audience,hoping that the audience could be in a state that they had a dream like never before leaving the theatre.

关 键 词：克里斯蒂安·陆帕 内心独白 音乐(声音) 角色的创造 

分 类 号：J80[艺术—戏剧戏曲]