试论丘处机诗歌中“山”意象的形态与意蕴——以《磻溪集》为例  

On the Form and Connotation of the"Mountain"Imagery in Qiu Chuji's Poetry--Taking"Panxi Collection"as an Example

作　　者：欧阳端萍 OUYANG Duan-ping(Shanghai Academy of Social Sciences,Shanghai,200235)

机构地区：[1]上海社会科学院,上海200235

出　　处：《广州开放大学学报》2024年第3期102-106,112,共6页JOURNAL OF GUANGZHOU OPEN UNIVERSITY

摘　　要：尊生重生是道教的生命哲学,无论外丹修持还是内丹修行,均重视对自我生命的养护。金元时期的全真道教在审视生命修养时兼顾外在修行。丘处机作为全真教“北七真”之一,将道教尊生重生思想有机融入诗句之中,并利用意象感性地展现道教思想。与其他掌教人(王重阳、马钰及尹志平)功利性地利用意象表达劝化众人不同,丘处机在《磻溪集》中通过描绘“山”意象所展现的画面感不仅在其人生各阶段各具特色,而且具有独特的人文关怀意蕴,体现了功成仙去的道教思想与悲天悯人、反对杀戮的道教情感,诗歌蕴含文气与诗意。The reverence for life is a central tenet of Taoist philosophy,which emphasizes the nurturing of one's own life,whether through external alchemy or internal cultivation.During the Jin and Yuan dynasties,Quanzhen Taoism,while examining life cultivation,also paid attention to external practices.As one of the"Seven Genuine Ones of the North"in Quanzhen Taoism,Qiu Chuji organically integrated the Taoist reverence for life into his poetry and used imagery to emotionally express Taoist thoughts.In Qiu Chuji's"Panxi Collection",the imagery of"mountain"differs from that of other religious leaders(Wang Chongyang,Ma Yu,and Yin Zhiping)who used imagery to persuade people with a utilitarian purpose.The depiction of mountains in Qiu Chuji's work not only possesses unique characteristics at various stages of life but also embodies a distinctive humanistic concern:the connotation includes Taoist ideas of achieving immortality and compassionate sentiments opposing violence,encapsulating literary grace and poetic essence.

关 键 词：丘处机 磻溪集 山 意象 

分 类 号：B958[哲学宗教—宗教学] I207.2[文学—中国文学]