5G时代民间小戏保护与传承的数字记忆建构研究——以山西临猗锣鼓杂戏为例  

Construction of Digital Memory for the Protection and Inheritance of Folk Opera in the 5G Era:A Case Study of the Gong and Drum Opera in Linyi

作　　者：任占文[1] REN Zhanwen(School of Humanities and Social Sciences,North University of China,Taiyuan 030051,China)

机构地区：[1]中北大学人文社会科学学院,山西太原030051

出　　处：《中北大学学报（社会科学版）》2024年第4期32-37,共6页Journal of North University of China：Social Science Edition

基　　金：2021年度山西省艺术科学规划课题:山西锣鼓杂戏的数字记忆与抢救性传承(2021C046)。

摘　　要：5G时代,民间小戏赖以生存的社会生态与文化生态均已发生结构性变化,政府、高校与研究机构主导的现有保护与传承模式面临难以为继的困境。数字记忆理论为山西临猗锣鼓杂戏等民间小戏保护提供新的机遇与可能,可将资源数字化转换作为起点,研究数字化转向作为动力,新媒体传播矩阵建设作为关键,数字资源开发作为终点,通过建立政府主导、社会力量与高校共同参与的协同机制,搭建各类民间小戏资源数据库,打造基于移动终端的民间小戏新媒体传播矩阵,探索线上线下相结合的民间小戏保护与传承新模式等措施,构建属于民间小戏的数字记忆、开辟民间小戏保护新路径。In the 5G era,the social and cultural ecology essential for the survival of folk operas has undergone structural changes,and existing modes of the protection and inheritance of folk operas,primarily led by governments,universities and research institutions,have faced challenges in sustainability.The introduction of the theory of digital memory provides new opportunities for the protection of folk operas,such as the Gong and Drum Opera in Linyi of Shanxi province.To build the digital memory and new paths for the protection of folk operas,this article suggests establishing a collaborative mechanism led by the government with the participation of social forces and universities,creating open-source databases and a mobile terminalbased media communication matrix for folk operas,and exploring new modes of protection and inheritance for folk operas that combine both online and offline communications.

关 键 词：5G时代 民间小戏 保护与传承 数字记忆 

分 类 号：J825[艺术—戏剧戏曲]