地域总集视域下的女性书写价值——以清代女诗人路凌波为例  

Values of Women’s Writing from the Perspective of Regional Collections:A Case Study of Lu Lingbo

作　　者：李芊雨 LI Qianyu(School of Liberal Arts,Shaanxi Normal University,Xi’an 710000,China)

机构地区：[1]陕西师范大学文学院,陕西西安710000

出　　处：《中北大学学报（社会科学版）》2024年第4期96-105,共10页Journal of North University of China：Social Science Edition

基　　金：2022年国家社会科学重点项目:文学地理学视域下明清陕西诗文总集研究(22AZW013)。

摘　　要：女诗人路凌波的一生可划分为四个时期:少年时悠闲无忧,青年时相思哀愁,中年时困苦悲痛,老年时洒脱淡然。具有艺文志性质的清代陕西三原地域诗歌总集《原献诗录》收录其诗作50首,借此现象可以观察地域总集中女性书写的文化价值:既是明清时期主流话语对女性评价标准渐趋多元化的标志,也意味着女性历史书写的个体化趋势正在逐渐增强。路凌波能够以女塾师的身份教授男性弟子,亦象征着清代关中地区女性生存空间的拓宽。在书写方式层面,路凌波的诗歌创作则展现出地域总集中女性书写的文学价值:纯正的旨趣与音韵的美感。The life of poetess Lu Lingbo can be divided into four periods:carefree childhood,lovesick youth,troublesome middle age and calm old age.The collection of poems from Sanyuan in Shaanxi province in the Qing Dynasty,titled Yuan Xian Shi Lu,includes 50 of her poems.This phenomenon demonstrates that the cultural values of women’s writing in regional anthologies signify both the increasingly diversified standards for evaluating women in mainstream discourse during the Ming and Qing Dynasties and the growing trend towards individualization in the historiography of women.Lu Lingbo’s ability to teach male disciples as a female tutor also symbolizes the expansion of the living space for women in the Guanzhong region of the Qing Dynasty.In terms of writing style,Lu Lingbo’s poetry exhibits the literary values of women’s writing in regional anthologies:a purity of purpose and the beauty of rhyme.

关 键 词：地域女性文化 地域诗歌总集 女性书写 路凌波 《原献诗录》 

分 类 号：I206.2[文学—中国文学]