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作 者:刘英波[1] LIU Yingbo(School of Liberal Arts,Shandong Normal University,Jinan,Shandong 250014,China)
出 处:《吉林师范大学学报(人文社会科学版)》2024年第4期60-66,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition
基 金:国家社会科学基金项目(20BZW085)。
摘 要:在明代,代笔散曲的题材范围较为宽泛,其中代人赠妓或代妓赠人类曲作最多,此外还有代人抒怀、悼内、劝诫、恭贺、饯行、邀柬、嘲谑等曲作。明代散曲代笔现象的产生和多元发展,究其原因,主要有以下几个方面:一是明代文士对代笔传统的承继;二是作者的个人兴趣,以及代笔的获利、抒情、交际、娱乐等功用;三是明代重情纵欲思潮影响下的士风;四是散曲较少受到名教渗透的文体特点。这一现象具有其不可忽视的文化价值与意义。The theme range of ghostwriting Sanqu(代笔散曲)in Ming Dynasty is relatively broad.Among the ghostwriting Sanqu,most of the works were given to prostitutes on behalf of someone else or to someone else on behalf of prostitutes.Moreover,there are some other themes of ghostwriting Sanqu,such as emotion,mourn,advise,congratulate,bid farewell,invite invitations and ridicule.The emergence and diver⁃sified development of the phenomenon of Ming Dynasty Sanqu ghostwriting can be attributed to the follow⁃ing aspects:firstly,the inheritance of ghostwriting tradition by Ming Dynasty literati;The second is the au⁃thor’s personal interests,as well as the benefits,lyricism,social interaction,entertainment,and other func⁃tions of ghostwriting;The third is the scholarly style influenced by the trend of valuing emotions and indulg⁃ing in desires in the Ming Dynasty;The fourth is the stylistic characteristic of Sanqu,which is less influ⁃enced by famous religions.This phenomenon has its undeniable cultural value and significance.
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