民族音乐学跨学科研究的再审视  

Revisiting Interdisciplinary Research in Ethnomusicology

作　　者：赵书峰 徐驰 ZHAO Shufeng;XU Chi

机构地区：[1]湖南师范大学,长沙410018 [2]广东技术师范大学 [3]湖南师范大学音乐学院,长沙410018

出　　处：《原生态民族文化学刊》2024年第4期38-44,154,共8页Journal of Ethnic Culture

基　　金：2020年度教育部人文社会科学研究规划基金项目“湘南过山瑶‘坐歌堂’音乐文化研究”(20YJA760076)。

摘　　要：民族音乐学跨学科研究是运用人文社会科学理论深度描述与解读音乐潜藏的深层文化逻辑,可以立体多维地审视与观照音乐形态结构与其文化象征意义的历时性与共时性生成过程。音乐事象与文化功能的多样性特征要求民族音乐学研究者具备丰富的跨学科知识积累与储备。民族音乐学研究更需要复合型的互动交叉理论来积极拓展学科研究的新视野与新路径。当然,过度运用跨学科理论,会导致研究者“悬置”音乐形态的分析,造成学科身份的自我迷失。因此,聚焦音乐形态结构生成与其文化语境的勾连关系,以及立足学科本位,淡化学科边界,形成以问题意识为导向的学术研究范式,才是真正的民族音乐学跨学科研究。Interdisciplinary research in ethnomusicology involves the use of theories from the humanities and social sciences to deeply describe and interpret the underlying cultural logic of music,allowing for a multidimensional and comprehensive examination of the diachronic and synchronic processes of the formation of musical forms and their cultural symbolic meanings.The diversity of musical phenomena and cultural functions demands that ethnomusicologists have a rich accumulation and reserve of interdisciplinary knowledge.Ethnomusicological research also requires the integration of complex interactive and cross-theoretical approaches to actively expand the new horizons and paths of disciplinary research.Of course,an over-reliance on interdisciplinary theories may lead researchers to"suspend"the analysis of musical forms,resulting in a loss of self-identity within the discipline.Therefore,focusing on the connection between the generation of musical form structures and their cultural context,as well as standing on the basis of the discipline,blurring disciplinary boundaries,and forming an academic research paradigm oriented by problem consciousness,is the true interdisciplinary research in ethnomusicology.

关 键 词：民族音乐学 “跨学科” 身份迷失 音乐本体 

分 类 号：C958.8[社会学—民族学]