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作 者:杨加加 YANG Jia-jia(College of Literature,Guizhou Normal University,Guiyang,550025,China)
出 处:《闽西职业技术学院学报》2024年第2期32-36,共5页Journal of Minxi Vocational and Technical College
摘 要:在中国古典诗歌发展史上,采桑主题不断地被文人骚客所歌咏。先秦时期,诗人聚焦于书写青年男女间的情与爱;发展到汉魏时期,采桑所代表的情爱色彩逐渐褪色,对桑女的美丽容颜与美好品质的歌颂成为主流;唐宋时期,农事田家类的采桑诗发展迅速;又至元明清,远古桑林的情与爱消失殆尽,诗人笔墨所到之处皆是对民瘼悲惨境遇的同情与关怀。In the history of Chinese classical poetry,the theme of mulberry collecting has been continuously sung by literati and poets.In the pre-Qin period,poets focused on the love between young men and women;in the Han and Wei Dynasties,the love color represented by mulberry collection gradually faded,and the praise for the beautiful appearance and good quality of mulberry women became the mainstream;in the Tang and Song Dynasties,the mulberry collecting poems of farm and field families developed rapidly;by the Ming and Qing Dynasties,the affection and love in mulberry forest had disappeared,and the poets focused on compassion and care for the miserable plight of the people.
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