样板戏对“文革”美术模式的影响与整合  

The Influence and Integration of Model Opera on the“Cultural Revolution”Art Mode

作　　者：穆海亮 Mu Hailiang

机构地区：[1]陕西师范大学新闻与传播学院

出　　处：《媒介批评》2023年第2期300-315,共16页Media Criticism

基　　金：国家社科基金重大项目“数字媒介时代的文艺批评研究”(项目编号:19ZDA270)阶段性成果。

摘　　要：样板戏对“文革”美术产生了全面而深刻的影响,所谓“文革”美术模式其实就是样板戏影响下的美术模式。这种模式表现为,以向心构图、环境烘托与仰视视角实现“高大全”的审美理想,以“红光亮”的主导色调承载那个特定时代充满“阳光感和幸福感”及斗争哲学的意识形态功能,以造型的戏剧化、构图的情节性和动态感来追求美术作品的“画外之画”。这导致“文革”美术风格的模式化、单一化及美术家创造性、审美个性的丧失,却也在一定程度上体现着打破诗画界限的尝试,对增强绘画的表现力和丰富戏剧舞台语汇并非全无益处。Model opera has a comprehensive and profound impact on the“cultural revolution”art,the so-called“cultural revolution”art mode is in fact the art mode under the influence of the model opera.This mode is manifested as achieving the aesthetic ideal of“high,large,and comprehensive”through centripetal composition,environmental contrast,and upward perspective,carrying the ideological function of the specific era full of“sunshine and happiness”and struggle philosophy with the dominant color tone of“red,light,and brightness”,and pursuing the“picture-outside-picture”of art works with the dramatic design,plot and dynamic composition.This led to the stylization and simplification of the art style during the“cultural revolution”,as well as the loss of creativity and aesthetic individuality among artists.However,it also reflected an attempt to break the boundaries of poetry and painting to a certain extent,which was not completely unhelpful in enhancing the expressive power of painting and enriching the vocabulary of the theatrical stage.

关 键 词：样板戏 “文革”美术模式 影响 整合 

分 类 号：J809.2[艺术—戏剧戏曲] K27[历史地理—历史学] J120.9[历史地理—中国史]