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作 者:罗贻荣 Luo Yirong(Zhejiang Yuexiu University,Shaoxing 312000,China;Ocean University of China,Qingdao 266100,China)
机构地区:[1]浙江越秀外国语学院 [2]中国海洋大学
出 处:《外国文学研究》2024年第3期117-130,共14页Foreign Literature Studies
基 金:国家社会科学基金一般项目“戴维·洛奇小说诗学研究”(20BWW004)。
摘 要:戴维·洛奇早期小说语言论让他作为小说批评家一举成名,相比之下“巴赫金之后”的洛奇小说理论发展没有受到应有关注。然而,洛奇在巴赫金影响下所做的最重要的事情,恰恰是对前者进行反思。戴维·洛奇小说诗学在“巴赫金之后”发生了小说文体观从“纯一”到“杂语”、批评方法论从“语言一元”到“对话批评”、创作起源论从“语言初始”到“选择先在”的转向;在作者之辩、文学审美“纯粹性”坚守、批评实践、小说话语类型学研究等方面得到焕新。洛奇小说诗学的转向和焕新有其内在逻辑,伴随着对一些具有普遍意义的当代文学理论重大问题走出困境途径的探索,它赋予戴维·洛奇的巴赫金研究以独特性和原创性,也带给我们在当今中国语境下文学和文学批评有关问题诸多启示。对上述问题的探讨,将有助于我们更好地理解被视为形式主义小说理论代表人物的戴维·洛奇的小说诗学理论发展全貌和整体特征,并由此了解巴赫金在欧美文论发展中所产生影响的一个尚未被充分认知和评估的方面。Compared with David Lodge's early theory of “language of Fiction,” which catapulted him to fame as a critic of the novel in China and abroad, the development of Lodge's poetics of fiction “after Bakhtin” has not received due attention. However, the most important thing that Lodge did under the influence of Bakhtin was precisely to reflect on the former.“After Bakhtin,” David Lodge's poetics of fiction has undergone turns from “pure unity” to “heterogrossia” in stylistics, from “linguistic monism” to “dialogic criticism” in critical methodology, and from “language initiation” to “choice preexisting” in his perspective on the origin of creation, along with revitalization in the debate of authorship, the insistence on literary aesthetics, the practice of criticism, and the exploration of the typology of fictional discourse.The turn and revitalization of Lodge's poetics of fiction have an inherent logic, exploring ways out of the dilema of major contemporary literary theoretical issues of universal significance,endowing David Lodge's Bakhtin studies with uniqueness and originality, and providing many insights into issues related to literature and literary criticism in the current Chinese context.The discussion of the above issues will help us better understand the overall development and characteristics of David Lodge's poetic theory of fiction, which is regarded as a representative figure of formalist fiction theory, and thus understand an aspect of Bakhtin's influence in the development of European and American literary theories that has not yet been fully acknowledged and assessed.
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