《萨拉米斯的士兵》中内战记忆的现时化阐释  

The Presentization of Spanish Civil War Memory in Soldiers of Salamis

作　　者：张沁园 Zhang Qinyuan(School of Foreign Languages and Literature,Shandong University,Ji'nan 250100,China)

机构地区：[1]山东大学外国语学院西班牙语系

出　　处：《外国文学研究》2024年第3期166-176,共11页Foreign Literature Studies

摘　　要：哈维尔·塞尔卡斯的《萨拉米斯的士兵》被学界认为是西班牙“新内战小说”的里程碑式作品,它标志内战记忆书写由“写什么”到“谁在写”以及“如何写”的转向,对内战集体记忆的构建产生重要影响。小说突破单一线性的传统叙事结构,将对内战记忆的探寻与重构巧妙地嵌套在当代人身份危机的自我言说中,形成历史与现在两种视域的多维融合。小说聚焦被宏大历史叙事排斥的个体化、微观化记忆碎片,运用虚实交互的叙事手法实现“真实的虚构故事”的创作初衷。这种记忆书写的跨界与创新并非单纯的审美追求,同时体现创作主体强烈的自我意识和对内战记忆以及内战记忆文化的问题式探究与现时化阐释,继而赋予过去与现在、历史与自我丰富深远的意蕴。Regarded by academia as a milestone work in Spain's“New Civil War Novel,”Soldiers of Salamis by Javier Cercas marks a significant shift in the writing of civil war memories from“what to write”to“who is writing”and“how to write”,which had a profound impact on the construction of the collective memory of the civil war.The novel breaks through the traditional linear narrative,embedding the exploration and reconstruction of civil war memories within the self-narration of contemporary identity crises,thus forming a multidimensional fusion of history and present perspectives.Focusing on the individualized and microscopic fragments of memory excluded from the grand historical narrative,the novel utilizes combines the reality and fiction to achieve its original intention of creating a“real and fictional story”.This interdisciplinary and innovative approach to memory writing reflects not only an aesthetic pursuit but also underscores the strong self-awareness of the writer as well as the probing and presentization of civil war memories.Consequently,it imbues the past and the present,history and the self,with rich and profound implications.

关 键 词：西班牙内战 记忆书写 《萨拉米斯的士兵》 真实的虚构故事 现时化阐释 

分 类 号：I551.074[文学—其他各国文学]