当代美国非裔小说中“后黑人性”的文学再现管窥  

The Representation of“Post-Blackness”in the Post-1960s African American Fiction

作　　者：林元富[1] 宿卿 LIN Yuanfu;SU Qing

机构地区：[1]福建师范大学外国语学院,福建福州350007

出　　处：《英语研究》2024年第1期154-167,共14页English Studies

基　　金：国家社会科学基金一般项目“当代美国非裔小说‘后黑人性’文学再现发展脉络研究”(22BWW069)的阶段性成果。

摘　　要：“后黑人性”文学书写是对“黑人性”文学再现的一种反拔,其核心是以新颖的、反讽的和多元化的视角审视当代非裔美国人的生活体验、身份构建和种族意识。“后黑人性”文学再现形式多元,有文类借用和混合,也有对白人作家经典文本的戏仿性改写,以及对“后种族”未来世界的“乌托邦”式想象。当代“后黑人性”文学再现在种族、身份和历史考察方面有一个可以辨析的传统;该传统可追溯到伊什梅尔·里德的作品,并在科尔森·怀特黑德和保罗·比蒂的小说中不断发展和完善,代表着当代非裔美国小说的走向。The persistent interest in the representation of“post-blackness”in contemporary African American novels could be seen as a reaction against the traditional penchant for the representation of an essentialized“blackness”.“Post-blackness”literary representation is essentially driven by a move to reexamine contemporary black experiences,racial consciousness and black identity construction in fresh,ironic,and most importantly,pluralistic lens.Based on sample readings of representative texts that outline the way“post-blackness”is represented in myriad forms of artsgeneric borrowing and mixing,parodic rewriting of canonical texts by white writers as well as the utopian imagining of a“post-racial”future world,this paper argues that in its dramatization of identity,race,and history,contemporary representation of“post-blackness”shares a tradition that dates back to the writings of Ishmael Reed and culminates so far in the novels of Colson Whitehead and Paul Beatty.

关 键 词：当代美国非裔小说 后黑人性 文学再现 

分 类 号：I712.074[文学—其他各国文学]