延展·断裂·重构——延安时期话剧的价值嬗变  

Extension,Rupture,Reconstruction:The Evolution of Huaju Value in Yan,an Era

作　　者：李志娟 LI Zhijuan

机构地区：[1]上海戏剧学院研究生部

出　　处：《戏剧艺术》2024年第3期130-140,共11页Theatre Arts

摘　　要：回顾延安话剧(1935—1949)的发展历程,知识分子将话剧从“城市空间”移植到“乡土空间”这一新的政治文化场域,话剧的价值系统以延安文艺座谈会的召开和《在延安文艺座谈会上的讲话》发布为界,经历了“延展”“断裂”“重构”的三重自我嬗变。戏剧在形式与内容层面的转变是内部价值系统外化的体现,深入研究在“延安戏剧”集合概念下“延安话剧”的内部运作,把握话剧及其主要创作群体(即延安知识分子群体)的本体特征,才能认识到话剧在引入之初被知识界认为有别于以往剧种的“新的质素”与诗学品格。Reviewing the development path of Yan,an Huaju(19361949),intellectuals transplanted Huaju from the“urban space”to the“rural space”,a new political and cultural domain.The value system of Huaju underwent a triple self-transformation of“extension”,“rupture”and“reconstruction”,demarcated by the convening of the Yan,an Forum on Literature and Art,and the publication of Talks at the Yan'an Forum on Literature and Art.The transformation of drama at the level of form and content reflects the externalization of the internal value system.In-depth study of the internal operations of“Yan,an Huaju”under the concept of the“Yan,an drama”collection,and grasping the essential characteristics of Huaju and its main creative group,namely the Yan,an intellectual group,are essential to understanding how Huaju,initially perceived by the intellectual community as possessing a“new quality”and poetic character distinct from previous genres,was introduced.

关 键 词：话剧 讲话 延安文艺 延安知识分子 

分 类 号：J80[艺术—戏剧戏曲]