论数字时代视听作品独创性程度的衡量及其判断——以脸部特效为切入点  

Judgment Standards of Originality of Audiovisual Works in Digital Era-Facial Special Effects as Entry Point

作　　者：王宏军[1] 汪亚利 WANG Hongjun;WANG Yali(School of Law,Tianjin University of Commerce,Tianjin 300134,China)

机构地区：[1]天津商业大学法学院,天津300134

出　　处：《北京邮电大学学报（社会科学版）》2024年第3期23-31,共9页Journal of Beijing University of Posts and Telecommunications(Social Sciences Edition)

摘　　要：数字时代出现了多种新型“连续画面”,其是否具备法定视听作品的独创性,关键是如何对独创性的“程度”进行量化。然而既有的视听作品独创性判断标准,因其过于“抽象化”而较难适用。为衡量这些新型“连续画面”独创性的“程度”,运用法理和技术相结合的研究方法,综合创作结果和创作过程,从典型案例“梦幻云”脸部特效侵权案切入,可得出如下结论:在衡量因素上,除了应注意区分脸部特效的分层次表达,还应排除智能人机交互预设的创作内容;在独创性标准上,则应确立范围上聚焦连续画面、画面衔接具有逻辑性以及画面呈现具备动态性三个标准。In digital era,a variety of new“continuous pictures”emerge,and whether it has the originality of legal audiovisual works depends on how to quantify the“degree”of originality.However,the existing criteria for judging the originality of audiovisual works are difficult to apply because they are too abstract.In order to measure the“degree”of originality of these new“continuous pictures”,the research method of both jurisprudence and technology is used,and comprehensively considering the creation results and the creation process,and through analyzing the typical case of“Dream Cloud”facial special effects infringement case,the following conclusions are drawn:In terms of measurement factors,in addition to the hierarchical expression of facial special effects,the creation content of intelligent human-computer interaction presets should be excluded.In terms of originality criteria,three criteria should be established:focusing on continuous pictures,logical connection of pictures,and dynamic presentation of pictures.

关 键 词：脸部特效 独创性 视听作品 连续画面 可视化 

分 类 号：D923.41[政治法律—民商法学]