哀伤之下的温暖底色——叶赛宁诗歌《我不叹惋,不呼唤,不哭泣……》的艺术特色  

The Warmth Beneath the Sorrow—On the Artistic Characteristics of Sergei Yesenin's Poem I don't pity,don't call,don't cry...

作　　者：王晓婷 WANG Xiaoting(School of Russian,Beijing Foreign Studies University,Beijing,100089,China)

机构地区：[1]北京外国语大学俄语学院,北京100089

出　　处：《文化创新比较研究》2024年第15期5-11,共7页Comparative Study of Cultural Innovation

摘　　要：抒情诗《我不叹惋,不呼唤,不哭泣……》(1921)是叶赛宁精神危机初期的代表作,该文拟从音韵色彩、布局谋篇、抒情言志、文本间联系四个角度来分析诗歌的艺术特色,结合诗歌的创作背景及诗人的创作理念,发掘诗歌的艺术内涵。诗歌以抒情之“我”为话语主体,立足过去与现在的时间维度,诠释了春天与秋天、青春与苍老(心灵苍老)、生与死的对立主题。全诗音韵和谐优美,主题鲜明突出,抒情之“我”经历了自我安慰、不满现状、追忆青春、妥协祝愿的心绪转变,在哀伤的基调下铺陈了温暖的底色,以真挚的情感引发读者共鸣。诗人的创作灵感源于果戈理的小说《死魂灵》(1842),所成之诗又在帕乌斯托夫斯基《生活的故事》(1945—1963)、路遥《平凡的世界》(1986)中留有印记,足见诗歌隽永的艺术魅力。The lyrical poem I don't pity,don't call,don't cry...(1921)is a masterpiece written by Sergei Yesenin at the beginning of his spiritual crisis.This article is intended to analyze the artistic characteristics of the poem from following perspectives:rhyme,color,layout,emotions,thoughts and intertextual connections,and to explore the artistic charm of the poem in the context of the poet's creative concept.Based on the past and the present,the poem takes lyrical"I"as the main subject of discourse to interpret the antagonistic themes of spring and autumn,youth and old,life and death.It is harmonious in sound and rhyme,clear and prominent in theme.The lyrical"I"undergoes a mood shift of self-comfort,dissatisfaction with the current situation,reminiscence of youth,compromise and wish,which creates warmth beneath the sorrowful tone and resonates with a lot of readers by sincere emotion.This poem was inspired by Gogol's Dead Souls(1842),and later was quoted in Paustovsky's The Story of a Life(1945-1963)and Lu Yao's Ordinary World(1986),which is enough to prove the poem's wide artistic appeal.

关 键 词：叶赛宁 《我不叹惋 不呼唤 不哭泣……》 20世纪俄罗斯诗歌 诗歌艺术特色 叶赛宁精神危机 文本间联系 

分 类 号：I512[文学—其他各国文学]