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作 者:吴正彪[1] 骆科俊 WU Zhengbiao;LUO Kejun(School of Ethnology,Three Gorges University,Yichang,Hubei,443002,China)
出 处:《凯里学院学报》2024年第2期10-15,共6页Journal of Kaili University
基 金:国家社科基金项目“苗瑶语族母语诗歌格律研究”(20BZW202)。
摘 要:语言是文化的重要载体,语言的民族性是文化民族性的重要表现形式,每个民族的传统文化都会通过语言的积淀得到反映。对非物质文化遗产的深度解读,同样离不开从民族语言入手进行“深描”式的科学阐释。关于苗族“鼓藏节”的调查与研究,这是一项以“祭鼓”作为民族关键符号的祭祀祖先神灵活动,同时也是一项非物质文化遗产。在“鼓藏节”的“祭鼓”活动中,其内容通过古经辞的丰富语汇得到呈现,而“祭鼓”仪式活动的古经辞语汇释译,不但是研究这一节日文化“深描”的基础,也是从“指称论”的语言哲学理论视角出发,准确地理解和解读苗族文化真实性的一个重要方法。Language serves as an important carrier of culture,and the ethnic nature of language is a significant manifestation of cultural ethnicity.The traditional culture of every ethnic group is reflected through the accumulation of language.In-depth interpretation of intangible cultural heritage also requires a scientific exposition starting from ethnic languages in a“deep description”manner.This study investigates and researches the Miao ethnic group s Drum Festival,which is a ritual activity that honors ancestors and deities using drum worship as a key symbol of the ethnic group,constituting an intangible cultural heritage.The content of the drum worship activities during the Drum Festival is presented through the rich vocabulary of ancient scriptures.The interpretation of the ancient scriptures vocabulary in the drum worship ritual activities not only forms the basis for researching this festival culture in depth but also provides an important method,from the perspective of the linguistic philosophy theory of referentialism,to accurately understand and interpret the authenticity of Miao culture.
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