从《巨流河》《三生影像》谈战争与漂泊对女性自传创作的影响  

Review on the Impact of War and Drift on Female Autobiography in The Great Flowing River and Images of Three Lives

作　　者：王茜 WANG Qian(School of Humanities and Law,Yanshan University,Qinhuangdao 066004,Hebei,China)

机构地区：[1]燕山大学文法学院,河北秦皇岛066004

出　　处：《岭南师范学院学报》2024年第3期83-92,共10页Journal of Lingnan Normal University

摘　　要：从传记写作理论分析《巨流河》与《三生影像》,基于同一段历史背景的两部自传,展现出齐邦媛与聂华苓时空多角度重合的历史体验。两部自传的叙事手法、对历史的阐释和女性自我形象呈现表现出一定的相似,其都以多条叙事线和空间转移展开叙事,以小人物大历史的方式解读历史,并最终以文学的世界主义情怀回馈战争带给她们的终生漂泊之痛,体现出战争与漂泊对女性自传创作中个人叙事与历史叙事的影响,对探究女性自传中个人与时代关系处理及现代女性的自我成长历程具有重要意义。This paper is to analyze The Great Flowing River and Images of Three Lives under the guidance of the theory of autobiography writing.Based on the same historical background,these two autobiographies show Qi Bangyuan’s and Nie Hualing’s historical experience in the crossed space and time.There appear some similarities between these two autobiographies in their ways of narration,the interpretation of history and the presentation of female image.Both of them develop the story through the multiple narrative threads and spatial transference,explain the grand history with the little historical figures and ultimately award them boundless love in literature for the lifelong drift misery brought by the war.This shows the impact of war and drift on personal narrative and historical narrative in female autobiography writing,which is of great significance in exploring the relationship between the individual and the era in female autobiography and self-growing process of modern women.

关 键 词：《巨流河》 《三生影像》 女性 自传创作 

分 类 号：I206[文学—中国文学]