探寻江户时代出版物背后的化妆文化  

Explore the Makeup Culture Behind Edo Period Publications

作　　者：粟瑶 SU Yao(College of Oriental Languages and Philosophy,Zhejiang Gongshang University,Hangzhou Zhejiang,310018,China)

机构地区：[1]浙江工商大学东方语言与哲学学院,浙江杭州310018

出　　处：《文化创新比较研究》2024年第17期69-73,共5页Comparative Study of Cultural Innovation

摘　　要：日本平安时代,以贵族为中心的国风文化诞生,独特的化妆文化开始萌芽,日本贵族们奠定了白红黑传统化妆三原色。至平安时代后期,这种独特化妆手法在男性间开始流行,男子打扮成女性模样之风渐及公卿。同时,化妆作为一种身份地位的表现与权力的象征随着政权的更替,由公家向武家扩散,并且渗透到庶民阶层。至江户时代,化妆文化在武家礼法与身份制度的双重规制下,逐渐在女性中普及并成为她们有限度展现个性的方式,这也是江户时代女性化妆文化的独特魅力所在。在化妆文化的发展历程中,“往来物”、美容指南书和浮世绘等出版物扮演了重要角色。该文深入分析这些出版物的具体内涵,重点关注它们如何塑造和影响了化妆观念,从而揭示其背后所蕴含的丰富化妆文化。During Japan's Heian period,centered around the aristocracy,a unique makeup culture began to emerge,with nobles establishing the traditional makeup colors of white,red,and black.By the late Heian period,this unique makeup technique began to gain popularity among men,leading to a trend of men dressing as women,even among the nobility.Simultaneously,makeup,as a symbol of social status and power,spread from the aristocracy to the warrior class with changes in political power,eventually permeating into the commoner class.In the Edo period,under the dual regulations of the warrior class etiquette and social hierarchy,makeup culture gradually became popular among women,serving as a limited means for them to express their individuality.This unique charm of Edo period women's makeup culture is examined in depth.Throughout the development of makeup culture,publications such as women's etiquette guides,beauty manuals,and ukiyo-e prints played significant roles.This paper will analyze the specific content of these publications,focusing on how they shaped and influenced makeup concepts,thereby revealing the rich makeup culture they embody.

关 键 词：江户时代 化妆文化 出版物 女子用往来物 化妆书 浮世绘 

分 类 号：K313.36[历史地理—历史学]