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作 者:马梦洁 MA Mengjie(Nanjing Museum Administration,Nanjing Jiangsu,210000,China)
出 处:《文化创新比较研究》2024年第17期80-83,共4页Comparative Study of Cultural Innovation
摘 要:当今社会博物馆场域是一个多方面的概念,包括展陈展示、公众教育、文化传播、社会交流等方面。它的构建需要考虑多种因素,如博物馆内外的空间、设计布局、参观者的需求、展品类型等。在此基础上,如何有效地利用和优化场域,博物馆工作者如何在其中更好地进行文化传承传播是值得研究的课题,尤其非物质文化遗产如何更好地进行传承。该文通过对江宁织造博物馆南京云锦专题展览、社教活动进行案例分析研究,探讨作为中国古老织锦技艺最高水平的代表和世界非物质文化遗产之一的南京云锦木机妆花手工织造技艺如何由民间大众、从业者手中更好地移接到博物馆这一场域进行有效的互动,并提出进一步思考,优化博物馆场域的非物质文化遗产保护传承,促进其高质量发展。In today's society,the museum field is a multifaceted concept that includes aspects such as exhibition displays,public education,cultural transmission,and social communication.Its construction requires considering various factors,such as design arrangements,the needs of visitors,types of exhibits,and more.Based on this,how to effectively utilize and optimize the field,and how museum workers can better carry out cultural heritage and transmission within it,are worth studying,particularly for the inheritance practice of intangible cultural heritage.Through a case study analysis of the Nanjing cloud-pattern brocade exhibition and educational activities at the Jiangning Imperial Silk Manufacturing Museum,this paper explores the manual weaving technique of Nanjing cloud-pattern brocade,as a representative of the highest level of ancient Chinese brocade craftsmanship and one of the world's intangible cultural heritages.Practice has shown that is an excellent exploration of a contemporary path,which in turn brings further reflection on optimizing the protection and transmission of intangible cultural heritage in the museum field,promoting its high-quality development.
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