额济纳汉简书法鉴赏与创作的审美理路  

Aesthetic Pathways in the Appreciation and Creation of Ejina Han Bamboo Slips Calligraphy

作　　者：上官文金 李杜威 Shangguan Wenjin;Li Duwei(School of Chinese Language and Literature,Sichuan Normal University,Chengdu 610068;Inner Mongolia Research Institute of National Culture and Arts,Hohhot 015008;Changsha County Xingsha Middle School,Changsha 410199)

机构地区：[1]四川师范大学文学院,成都610068 [2]内蒙古民族文化艺术研究院,呼和浩特015008 [3]长沙县星沙中学,长沙410199

出　　处：《鹿城学刊》2024年第2期17-20,共4页Journal of Lucheng

基　　金：内蒙古自治区2023年哲学社会科学规划青年项目“额济纳汉简的审美特征研究”(2023NDB178)阶段性成果。

摘　　要：额济纳出土的简牍是两汉时期书法墨迹,是汉代书法“隶书草化”的缩影。额济纳汉简书法鉴赏与创作过程中可见“象、法”的书法形式要素以及以“媚美”为形式规定的法度特征与以“自由”为内容追求的书意特征,由此升华出从“书法意象”到“书法意境”的额济纳汉简审美理路。The bamboo slips unearthed in Ejin Hara contain calligraphy from the Han Dynasty,epitomizing the“clerical script cursivization”of Han calligraphy.In the appreciation and creation of Ejin Hara Han bamboo slips calligraphy,one can observe the formal elements of calligraphy(“forms”and“rules”)and the characteristics of the“rule of grace,”as well as the“freedom”sought in the artistic conception of calligraphy.This process elevates the aesthetic pathway from“calligraphy imagery”to“calligraphy artistic conception”in the context of Ejin Hara Han bamboo slips.

关 键 词：额济纳汉简 两汉时期 书法美学 审美理路 

分 类 号：J292.1[艺术—美术] K234[历史地理—历史学] K877.5[历史地理—中国史]