近代南京城市及建筑的山水因借  

TOPOGRAPHICAL AND NATURAL FACTORS IN URBAN PLANNING AND ARCHITECTURAL DESIGN OF THEEARLY 2OTH CENTURY NANJING

作　　者：冷天[1] 吉国华[1] LENG Tian;JI Guohua(School of Architecture and Urban Planning,Nanjing University)

机构地区：[1]南京大学建筑与城市规划学院

出　　处：《建筑实践》2024年第1期32-38,共7页Architectural Practice

摘　　要：依托“虎踞龙蟠”的天然气势,南京城独特的山水城林格局已成为中国传统建筑文化中自然和人文相结合的典范。近代以降的黄金十年建设高潮,体现在城市规划、群体布局、单体建造的三个维度上,主动拥抱并延揽南京城天然的山水名胜,在尊重中国传统文化理念的同时,将工业化和现代化的城市功能布局嵌合在南京的古城肌理中,延续并强化了南京的山水城林特色。本文试图从多个不同维度,针对近代南京城市及建筑的代表性案例,剖析它们将设计融入自然的不同处理方法,并总结此独特山水因借城市格局背后的动因及规律。With the natural landscape of the"crouching tiger and coiling dragon",the unique topographical features of Nanjing have become a classical example of combining nature and culture in traditional Chinese architectural practices.The building boom of the"Ten Golden Years"(1927-1937)in modern Nanjing was also reflected in the active embracing of natural landscape in all three dimensions of urban planning,group layout and single buildings.Based on the respect for traditional Chinese culture and ideas,industrial and modern functions of the city were embedded into the traditional urban texture,and the landscape feature of Nanjing,combining mountains,rivers,the city and forests were inherited and emphasized.This article explores representational cases of urban planning and architectural design in the early 2Oth century Nanjing,reveals their different methods of blending design into nature,and summarizes the reasons and roles behind the formation of this unique topographically influenced urban layout.

关 键 词：近代 城市 规划 山水因借 

分 类 号：TU9[建筑科学]