芥川龙之介作品中的中国情结与“豪杰”精神  

The Affections towards China and“Heroic”Spirit in Akutagawa Ryunosuke’s Works

作　　者：周芷冰 ZHOU Zhibing

机构地区：[1]大连海事大学外国语学院,辽宁大连116026

出　　处：《东北亚外语研究》2024年第3期94-105,共12页Foreign Language Research in Northeast Asia

基　　金：辽宁省社会科学规划基金项目“清末民初时期来华日本文化人作品中的‘中国形象’研究”(L20CWW004)的阶段性成果。

摘　　要：芥川龙之介是日本大正时期的代表作家。自幼熟读中国古典文学的芥川对《水浒传》等文学作品有着浓厚的兴趣,对其中刻画的众多“豪杰”更是充满崇拜之情。1921年,作为大阪《每日新闻》社的海外特派员,芥川游历了自幼憧憬的中国。此次中国之旅让芥川对中国的认知有了转变,其作品中的“中国形象”也随之改变。聚焦1921年之后的中国题材作品可以发现,作品中“中国形象”的变化与其中刻画的带有“豪杰”精神的中国民众有着紧密的关联性。本文通过梳理芥川中国题材作品中的“豪杰”形象,分析了其笔下“豪杰”精神的内涵,同时结合当时中国的革命形势以及芥川中国旅行后中国观的转变考察他创作这些“豪杰”人物的原因及意义。Akutagawa Ryunosuke was a representative writer in the Taisho period of Japan.Akutagawa,who has been familiar with classical Chinese literature since childhood,has a strong interest in literary works such as Water Margin,and is full of admiration for the many“heroes”portrayed in them.In 1921,he traveled to China where he has dreamed of since childhood as an overseas correspondent for the Osaka Daily News Agency.This journey significantly altered his perception of China,and the“image of China”in his works has also changed.Focusing on his post-1921 works featuring Chinese themes reveals a close connection between the changing“image of China”and the portrayal of Chinese people embodying the“heroic”spirit.This paper examines the depiction of“heroic”figures in Akutagawa’s works on Chinese themes,analyzing the essence of the“heroic”spirit he portrayed.Additionally,it explores the reasons and significance behind his creation of these“heroic”characters,in the context of the revolutionary situation in China at the time and Akutagawa’s changed views following his travels in China.

关 键 词：芥川龙之介 中国情结 中国之旅 豪杰精神 

分 类 号：I106[文学—世界文学]