数字经济赋能民族文化保护的模式研究——以甘肃临夏砖雕为例  

The Mode of Ethnic Cultural Protection enabled by Digital Economy——An Example of Linxia Brick Carving

作　　者：赵一娇 史宝明[1] Zhao Yijiao;Shi Baoming(Lanzhou University of Arts and Science,Lanzhou 730010,China)

机构地区：[1]兰州文理学院,甘肃兰州730010

出　　处：《湖北成人教育学院学报》2024年第3期97-103,共7页Journal of Hubei Adult Education Institute

摘　　要：文章提出我国临夏砖雕作为首批非物质文化遗产,具有高度的历史价值、文化价值和社会价值,但在发展过程中面临着一系列痛点问题,如产业规模小、场景应用局限性大、宣传方式单一、传承人较少面临断层等。基于此,本文基于数字经济特征,提出赋能临夏砖雕保护的模式,主要包括推动产业数字化发展变革、以数字“智造”提升产品竞争力、以数字管理搭建企业合作网络、以新经济模式吸引和培养更大范围的人才,从而为少数民族文化产业延续的“盈利造血”能力提供指导,进而推动临夏砖雕的可持续发展与传承。The protection of Linxia Brick Carving,which is the first batch of intangible cultural heritage,is faced with a series of pain points,such as small industrial scale,scene application limitations,a single way of publicity,fewer inheritors are facing faults and so on.This paper puts forward the mode of empowering the protection of Linxia Brick Sculpture in the consideration of characteristics of the digital economy.This mode mainly includes promoting the digital development of industrial change,enhancing the competitiveness of products with digital"intelligence",building a cooperation network of enterprises with digital management,and cultivating talents with the new economic model,so as to continue the ethnic minority cultural industry.

关 键 词：临夏砖雕 数字经济 文化保护 艺术 

分 类 号：J528[艺术—艺术设计]