冀中笙管乐的空间范围及其文化区的演变  

The Spatial Scope of Sheng-guan Music in Jizhong and Its Cultural Evolution

作　　者：郗希 孙燕 XI Xi;SUN Yan(School of Music and Dance,Baoding University,Baoding,Hebei 071000,China;School of Literature,Baoding University,Baoding,Hebei 071000,China)

机构地区：[1]保定学院音乐舞蹈学院,河北保定071000 [2]保定学院文学院,河北保定071000

出　　处：《保定学院学报》2024年第4期66-71,共6页Journal of Baoding University

基　　金：2023年度河北省社会科学发展研究课题(青年课题)“冀中音乐会的文化地理研究”(20230304028)。

摘　　要：冀中笙管乐的空间范围大致为北京以南,天津以西,沧州、定州一线以北的近三十个县(市、区),分布形态呈现典型的核心-外围-过渡圈状结构。其文化区包含核心区、外围区和过渡区三部分。核心区十分稳定未发生过改变,外围区和过渡区呈现先扩张后收缩的变化趋势,其原因与传统的根植及环境的浸染密切相关。The spatial range of the Sheng-guan instruments in Jizhong is approximately 30 counties and cities to the south of Beijing,the west of Tianjin,and the north of Cangzhou and Dingzhou.The distribution pattern exhibits a typical core-periphery-transitional ring-shaped structure.Its cultural area consists of three parts:the core area,the periphery area and the transition area,the core area is very stable and has not changed,the periphery area and the transition area present the spatial trend of first expansion and then contraction,the reason is closely related to the traditional root and environmental contamination.

关 键 词：冀中笙管乐 文化区 鼓吹乐 乐种 

分 类 号：J607[艺术—音乐]