试论关汉卿杂剧中的男性群像  

On the Male Group Images in Guan Hanqing’s Dramas

作　　者：任佳 Jia Ren(Department of Chinese Language and Literature,Xinjiang Normal University,Urumqi Xinjiang)

机构地区：[1]新疆师范大学中国语言文学学院,新疆乌鲁木齐

出　　处：《国学（汉斯）》2024年第3期442-449,共8页Chinese Traditional Culture

摘　　要：关汉卿作为元杂剧的集大成者,一生笔耕不辍创作出六十多部脍炙人口的作品,对故事框架的建构以及人物形象的刻画也为后世作家提供范式。通过分析其作品可知,剧中多以女性为主,呈现出“阴盛阳衰”的特点,而男性角色大致可以分为朝廷官吏、权豪势要、穷苦书生和历史英雄四类。此前研究主要聚焦于女性形象的分析,对于男性的整体研究相对薄弱,拟借用鲁迅“杂取种种人合成一个”的理论观点,对其中男性群像的共性予以揭示,在具有普遍性的基础上,进一步探究关汉卿戏剧创作中男性群像的丰富内涵和时代价值。As a master of Yuan Dynasty drama,Guan Hanqing devoted his entire life to creating over 60 popular works.The construction of story frames and the portrayal of character images also provided a paradigm for future writers.Through analysis of her works,it can be seen that most of the characters in the drama are female,presenting a characteristic of“yin flourishing and yang declining”,while male characters can be roughly divided into four categories:court officials,powerful and powerful figures,impoverished scholars,and historical heroes.Previously,research had mainly focused on the analysis of female images,but the overall research on men was relatively weak.It is planned to use Lu Xun’s theoretical viewpoint of “synthesizing various people into one” to reveal the commonalities of male group images. On the basis of universality, further exploration of the rich connotation and contemporary value of male group images on Guan Hanqing’s drama creation.

关 键 词：关汉卿 杂剧 男性群像 价值 

分 类 号：I20[文学—中国文学]