论关汉卿《窦娥冤》中的鬼魂戏  

On the Ghost Drama in Guan Hanqing’s Dou E Yuan

作　　者：苏媛 Yuan Su(College of Chinese Language and Literature,Xinjiang Normal University,Urumqi Xinjiang)

机构地区：[1]新疆师范大学中国语言文学学院,新疆乌鲁木齐

出　　处：《国学（汉斯）》2024年第3期486-494,共9页Chinese Traditional Culture

摘　　要：在元人钟嗣成的《录鬼簿》中有“为一时之冠”之称的关汉卿,无疑是元代戏剧艺术领域的一颗璀璨巨星,其扛鼎之作《感天动地窦娥冤》成功塑造了“动地惊天”“感天动地”的窦娥形象。剧中精心编排的鬼魂情节,不仅深化了人物形象,而且推动故事情节走向高潮。本文以《窦娥冤》鬼魂戏为研究对象,首先详述其剧情脉络,继而深入剖析窦娥作为冤魂的角色特质:既是蒙受冤屈后的觉醒者,又是反抗邪恶势力的斗争者。探究虚幻的鬼魂戏所传达出的真实的主题思想及独特的叙事结构,进一步深挖其文化意蕴。Guan Hanqing,known as“the crown of the moment”in Zhong Sicheng’s The Record of Ghost Book of the Yuan Dynasty,is undoubtedly a bright star in the field of drama art in the Yuan Dynasty.His masterpiece Sense of Heaven and Earth Dou E successfully shaped the image of Dou E,which is“world-shaking”and“Sense of Heaven and Earth”.The elaborate ghost plot in the play not only deepens the character image,but also promotes the plot to a climax.This paper takes the ghost drama of Dou E Yuan as the research object.Firstly,it elaborates on its plot context,and then deeply analyzes the role characteristics of Dou E as the ghost. She is not only an awakened person after suffering grievances, but also a fighter against evil forces. This paper explores the real theme and unique narr- ative structure conveyed by the illusory ghost drama, and further explores its cultural implication.

关 键 词：《感天动地窦娥冤》 鬼魂戏 鬼魂形象 文化意蕴 

分 类 号：I20[文学—中国文学]