基于造型文法的器物文化创新设计研究——以青铜酒器为例  

Research on Cultural Innovative Design of Utensils Based on Modeling Grammar——A Case Study of Bronze Wine Vessels

作　　者：程门雪 林璐[1] Menxue Cheng;Lu Lin(Department of Industrial Design,School of Art and Design,Zhejiang Sci-Tech University,Hangzhou Zhejiang)

机构地区：[1]浙江理工大学艺术与设计学院工业设计系,浙江杭州

出　　处：《Design（汉斯）》2024年第3期689-697,共9页设计（汉斯）

基　　金：2022年浙江省高等学校课程思政示范课程《基础设计》,项目号:kcsz20220111。

摘　　要：为实现中国器物的文化传承,本文以青铜酒器为例,提出一种器物文化创新设计思路并进行酒瓶设计实践。首先提取青铜酒器文化特征,分析器物造型特征,运用造型文法拆解文化显隐性因子关系;分析现阶段市场运用传统元酒瓶设计方法,总结设计原则,提出设计模型;依据原则与模型对青铜酒器造型进行重构与设计加工;最后以此为基础对酒瓶进行具体设计实践。深入挖掘传统器物造型中深层美学思考,将产品的功能性与艺术性相结合,实现青铜酒器形态的再应用。To achieve the cultural inheritance of Chinese utensils,this paper proposes a cultural innovative design concept for utensils and conducts design practices of wine bottles,taking bronze wine ves-sels as an example.Firstly,it extracts the cultural characteristics of bronze wine vessels,analyzes the modeling features of the utensils,and utilizes shape grammar to disassemble the relationship between explicit and implicit cultural factors.Then,it analyzes the current market’s design me-thods for traditional element wine bottles,summarizes the design principles,and proposes a de-sign model.Based on these principles and models,the paper reconstructs and designs the model-ing of bronze wine vessels.Finally,specific design practices for wine bottles are carried out based on this foundation.This research deeply explores the deep aesthetic thinking in traditional utensil modeling,combines the functionality and artistry of the products,and realizes the reapplication of the forms of bronze wine vessels.

关 键 词：酒器 青铜器 器物文化 酒瓶设计 造型设计 

分 类 号：K87[历史地理—考古学及博物馆学]