藏密曼荼罗构图在现代室内软装饰设计中的应用研究  

Study on the Application of Tibetan Esoteric Mandala Composition in Modern Interior Soft Decoration Design

作　　者：郭薇 Wei Guo(Art School,Jiangsu University,Zhenjiang Jiangsu)

机构地区：[1]江苏大学艺术学院,江苏镇江

出　　处：《Design（汉斯）》2024年第3期1037-1044,共8页设计（汉斯）

摘　　要：佛教中的曼陀罗图像色彩富丽、层次结构有序分明,以方圆作为基本形态,具有为密教修持之用。它不只是简单意义上的装饰图像,从构图、各类形象的位置排列组合再到色彩,都有其严谨的规范及功能定位,其间也蕴含着特定的宗教信仰和民族文化符号。本文以佛教语境下的曼荼罗式构图为研究和参考对象,对藏密曼荼罗式构图的含义特征进行研究分析,并将其运用到现代室内软装饰设计中。设计策略包括藏密曼荼罗相关元素和内涵象征的提取与融入,多色系的色彩搭配等,最终设计出具有传统与现代文化交融特点的作品,并应用于现代家居空间,使现代室内软装饰设计更具精神活性。The image of mandala in Buddhism is rich in color,orderly in hierarchy,and takes square as the basic form,which can be used for esoteric practice.It is not only a decorative image in a simple sense,but also has strict norms and functional positioning from composition,position arrange-ment and combination of various images to color,which also contains specific religious beliefs and national cultural symbols.This paper takes the mandala composition in the Buddhist context as the research and reference object,studies and analyzes the meaning and characteristics of the Ti-betan esoteric mandala composition,and applies it to the design of modern interior soft decora-tion.Design strategies include the extraction and integration of elements and symbols related to Tibetan esoteric mandala,multi-color color matching,etc.,and finally design work with the cha-racteristics of traditional and modern cultural integration,and applied to modern home space,making modern interior soft decoration design more spiritual activity.

关 键 词：曼荼罗 软装饰设计 应用展示 

分 类 号：B94[哲学宗教—宗教学]