从黑格尔的自然美看建筑美学的形而上学基础  

On the Metaphysical Basis of Architectural Aesthetic from Hegel's Natural Beauty

作　　者：汤士东[1] 万敏[2] 陈静茹 

机构地区：[1]中原工学院建筑工程学院 [2]华中科技大学建筑与城市规划学院 [3]河南应用技术职业学院

出　　处：《建筑与文化》2024年第7期55-58,共4页Architecture & Culture

基　　金：河南省宣传部兴文化工程研究专项(项目编号:2022XWH132)。

摘　　要：自然美和建筑美是黑格尔美学思想的重要组成部分,受通识的建筑形式美学法则与黑格尔自然美学思想高度重合现象的启示,笔者意欲通过对黑格尔自然美学思想的解读,印证其“建筑艺术形式是通过知解力的方式对有机界的形式加以改造而形成的”观点,进而揭示具有“共相”特征的建筑形式法则中最稳固的生物学基底及先验的心理结构。Natural beauty and architectural beauty are important components of Hegel's aesthetic thought.Inspired by the highly overlapping phenomenon between the architectural formal aesthetic rule and Aesthetics of nature thought,the author intends to verify his view that"architectural art form is formed by transforming the form of the organic world through the way of understanding"through the interpretation of Hegel's Aesthetics of nature thought,Furthermore,it reveals the most stable biological basis and prior psychological structure among the architectural form laws with the characteristic of"commonality".

关 键 词：整齐一律 平衡与对称 比例与尺度 符合规律 和谐 

分 类 号：TU-80[艺术—艺术设计]