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作 者:葛永海[1] 沈闻 GE Yonghai;SHEN Wen
机构地区:[1]浙江师范大学人文学院、浙江省方志文化研究与传承协同创新中心,浙江金华321004 [2]中国美术学院附属中等美术学校,浙江杭州310009
出 处:《学术月刊》2024年第6期132-146,共15页Academic Monthly
基 金:国家社会科学基金重点项目“游士叙事视角下的明清小说地图研究”(19AZW014)的阶段性成果。
摘 要:“自古文人多入蜀”。在中国文学史上,存在长时段、大规模的文人入蜀现象,由此产生了大量的“入蜀”吟咏。这些吟咏经过历代的累积、沉淀、感悟,文人与蜀地的内在精神联系不断被强调和揭示,逐渐形成了为世人所认可的“自古文人多入蜀”观念,其要旨在于入蜀之行对于文人创作的山水熏染和精神引领,同时强调了时代的连续性和文人群体参与的广泛性,这一观念形成的背后是一个内外多重因素相互协调的动力机制。“文人多入蜀”作为一种具有典型意义的文学地理观念,为文学地理学理论的深入探讨提供了富有启示的阐释框架和学术路径。As the saying goes,"ancient literati entering Shu("蜀")commonly",in the history of Chinese literature,there existed a long period and large-scale phenomenon of literati entering Shu,which produced many"entering Shu"chant.Based on the accumulation,sedimentation,and perception of these chant through the ages,the inner spiritual connection between the literati and Shu was constantly emphasized and revealed,and gradually formed the recognized concept of"ancient literati entering Shu commonly".Its main purpose is that the trip to Shu influenced the landscape and spiritual guidance of the literati's creation and stressed the continuity of The Times and the universality of the participation of the literati group.Behind the formation of this concept is a dynamic mechanism of internal and external coordination of multiple factors.As a typical literary geography concept,"ancient literati entering Shu commonly"provides an illuminating framework and academic path for the in-depth study of literary geography theory.
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