《初雪》中的人性、悲悯与诗意——兼论路翎“朝鲜战争”书写的美学意涵  

Humanity,compassion and poetry in First Snow---With the aesthetic meaning of Lu Ling’s“Korean War”

作　　者：翟崇光 郭雅娴 ZHAI Chong-guang;GUO Ya-xian(College of Liberal Arts,Hebei Normal University,Shijiazhuang,Hebei 050024)

机构地区：[1]河北师范大学文学院,河北石家庄050024

出　　处：《汕头大学学报（人文社会科学版）》2024年第1期72-78,96,共8页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：河北省社会科学基金项目“1980年代中国美学家对文学思潮的影响研究”(HB23ZW004)。

摘　　要：路翎于新中国初期深入朝鲜战场,创作了独具个性的“朝鲜战争”题材作品,与其时表现重大题材的写作不同,他并未把战争作为叙事的主要部分,而是将其作为演绎人之内心的广阔幕布,注重挖掘战争幕布下平凡人物的内心活动及生存状态。路翎的写作承继着胡风“主观战斗精神说”论,亦受到东西方审美文化的影响,《初雪》是其“朝鲜战争”书写中最具美学内涵的作品,展现了崇高美学之外的秀美与温情,表现出了人性美、悲悯美与诗意美。“平凡”英雄形象的塑造、叙事副线的巧妙运用、中朝友谊的生动摹写,使路翎的写作在主流战争观之外提供了理解战争与人性的新视角,而且这种温情化的“朝鲜战争”书写,还呈现出了国际主义精神和人类命运共同体意识。In the early years of New China,Lu Ling went deeply into the Korean warfield and created distinct works on the theme of“The Korean War”.Unlike other works with macro-themes,he did not take the war as the main narration.Instead,he took the war as the broad screen to interpret the human hearts,and focused on discovering the psychological activities and living conditions of ordinary people under the war.Lu Ling’s writing inherited Hu Feng’s Idea of“Subjective fighting spirit”and was also influenced by eastern and western aesthetic cultures.First Snow is the most aesthetical among his“Korean War”series,showing the beauty and warmth beyond the sublime aesthetics,demonstrating the beauty of human nature,the beauty of compassion and the beauty of poetry.The portrayal of“Ordinary”heroes,the skillful use of narrative subplots and the vivid portrayal of the friendship between China and North Korea,all of these make Lu Ling’s writing a“Heterogeneity”,which provides a new perspective to understand the war and human nature beyond the mainstream view of war.Furthermore,it also embodies the spirit of internationalism and the sense of a community with shared future for mankind.

关 键 词：路翎 《初雪》 朝鲜战争 美学意涵 

分 类 号：I207.42[文学—中国文学]