自律与秩序:大运河传统手工艺文化范式及启示  

Self-discipline and Order:The Cultural Paradigm and Insight of Traditional Handicraft along the Grand Canal

作　　者：臧小戈 ZANG Xiaoge

机构地区：[1]北京航空航天大学

出　　处：《创意设计源》2024年第2期12-15,73,共5页Idea & Design

基　　金：2019年度国家社科基金艺术学一般项目“从苏作到京作:大运河文化带传统手工艺及其文化范式研究”(项目编号:19BG128)阶段性研究成果。

摘　　要：大运河传统手工艺曾因密切参与生活而带有经由古代而来的社会秩序、社会制度、价值标准、伦理规范以及技术共识。经过历朝历代的不断发展,形成了一系列新的政策和手段,在规范了运河沿线管理和利用的同时,确保了大运河的顺畅运营和沿线社会的稳定发展。通过对比中国古典知识体系与世界当代思想体系,可以发现几乎所有国家的古典思想都以建立秩序为主导。在当代科技高速发展的今天,我们依然需要以大运河传统手工艺为代表,以传统文化为驱动,在内心深处完整保留带有民族精神的向内自律与向外秩序,并以此承担起以带状地理空间为载体,以传承、保护、发展为主的综合性研究重任。The Grand Canal's traditional handicrafts were closely associated with life and brought with them ancient social order,institution,values,ethics and technological consensus.Through successive dynasties,a series of new policies and means were formed,which not only standardized the management and utilization of the canal,but also ensured the smooth operation of the Grand Canal and the stable development of the society along the canal.By comparing the Chinese classical knowledge system with the ideology of contemporary world,we can find that the"Classical thought"of almost all countries is dominated by the establishment of order,we still need to be driven by the traditional handicrafts of the Grand Canal as representative of our traditional culture,to retain in our hearts the integrity of the inward self-discipline and outward order with the national spirit,and to take on the role of a belt-shaped geographical space as a carrier,to inherit,protect and develop the main task of comprehensive research.

关 键 词：大运河 传统手工艺 文化范式 自律 秩序 

分 类 号：J505[艺术—艺术设计]