地标与人情:大运河历史图像中的城市塑造和社会纪实  

Landmark and Life:Cityscape Shaping and Social Record in Historical Images of the Grand Canal

作　　者：王磊 WANG Lei

机构地区：[1]扬州大学

出　　处：《创意设计源》2024年第2期16-21,共6页Idea & Design

基　　金：2023年度江苏省社会科学基金青年项目“大运河江苏段舆图资料整理与研究”(项目编号:23YSC016);2021年度江苏高校哲学社会科学研究一般项目“《南巡盛典》所见江苏园林图像研究”(项目编号:2021SJA1988)阶段性研究成果。

摘　　要：宋代绘画里已有涉及中国大运河的实景作品。明清两代,表现大运河景观的图像数量丰富、类型复杂,大体可分为两种形式。其一是长卷,展示运河沿线的城镇、山川、祠庙、水利设施等地理空间,包含具有实景画特征的运河舆图;其二是官方、个人创作的纪实、纪游画作或图集,对运河乃至周边重要景物进行了片段式的描摹。大运河历史图像囊括院体画、文人画和民间绘画风格,保存了极其珍贵的视觉史料,对观察运河城市和社会风俗有着不可替代的价值。As early as Song Dynasty in China,real scene paintings involving the Grand Canal were made.During the Ming and Qing dynasties,images showing the landscape of the Grand Canal were abundant in number and complex in type,which can be roughly divided into two categories according to their form.The first is long scroll paintings showing geographical spaces such as cities,towns,mountains,temples and water conservancy projects along the canal,including canal maps with the characteristics of real scene painting.The second is painting or atlas about certain event and tour created by officials or individuals,in which the canal and surrounding scenery was described in fragments.The historical images of Grand Canal involve different styles such as imperial-court painting,literati painting and folk painting.They preserve precious visual historical materials and have irreplaceable value for researching canal cities and social customs.

关 键 词：大运河 城市景观 实景画 风俗画 

分 类 号：J212[艺术—美术]