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作 者:佘若玟 SHE Ruo-min(School of Journalism and Communication,Honghe University,Mengzi 661199,Yunnan,China)
出 处:《红河学院学报》2024年第4期22-26,共5页Journal of Honghe University
摘 要:记忆作为少数民族文化传承的重要组成部分,记录着一个族群内部的文化特性与符号印记,其存在对地方文化认同建构、民族情感凝聚等传播实践活动产生了重要意义。石屏县龙朋镇桃园村作为国家级非物质文化遗产烟盒舞的重要传承地,是彝族尼苏人文化记忆的重要载体。如今,在技术赋权的时代背景下,“非遗”的保护与传承不再局限于族群内部,其借助新兴媒介的传播优势扩宽了文化传承的多样性,传播的空间场域与范围也发生了较大变化。文章基于记忆理论,通过对桃园村的实地考察,进一步探究文化是如何通过记忆去共享和建构的。研究发现:口语和文字是当地民族文化传播的重要载体;在新媒体的影响下,彝族尼苏人正积极探索借助新媒体去传递记忆,且民族文化的传承基本是沿着制度化、商业化再到大众化的方向进行的。Based on the theory of cultural memory,this paper explores how ethnic culture is shared and constructed through memory by investigation of Taoyuan Village cigarette-box dance.The results show that spoken language and written language are important carriers of local ethnic culture transmission;Under the influence of new media,Nishupo people are actively exploring the use of new media to transmit memories,and the inheritance of national culture is basically carried out along the direction of institutionalization,commercialization and then popularization.It can be seen that the change and development of media runs through the whole process of the current regional characteristics of cultural inheritance.
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