《三国演义》“倚夜”结纂的叙事效果及其意蕴  

The Narrative Effect and Implication of“Relying on Night”in The Romance of the Three Kingdoms

作　　者：许中荣 XU Zhongrong(School of Liberal Arts,Xinyang Normal University,Xinyang 464000,China)

机构地区：[1]信阳师范大学文学院,河南信阳464000

出　　处：《信阳师范学院学报（哲学社会科学版）》2024年第4期122-127,共6页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金后期资助项目(22FZWB067);河南兴文化工程文化研究专项项目(2023XWH284)。

摘　　要：《三国演义》在一定程度上可视作一部掩映在夜色中的政治史、军事史。罗贯中不仅通过战争、谋议的“夜间化”,增强政治、军事中波诡云谲的戏剧效果;而且以灯烛、火把等光源实现场景或人物的聚焦,强化叙事场景或人物的视觉冲击力;同时,他还有意识地借助星、月等“闲笔”烘托氛围,从而赋予小说叙事盎然的诗意情调。此外,《三国演义》还有意识地借助秋夜、冷月等自然界中带有“寒意”的事物,或是通过“占星”与“夜梦”等命定式悲剧色彩的小说叙述,或是以“互涉”的形式把小说文本引入悠远的历史语境,从而赋予小说叙事苍凉的历史情韵与厚重的文化底蕴。The Romance of the Three Kingdoms can even be seen as a political and military history hidden in the night.Not only did Luo Guanzhong increase the dramatic effect of political and military intrigue through the“night time”of war and conjecture,but he also focused the scenes and characters with light sources such as candles and torches,strengthen the visual impact of narrative scenes or characters,and consciously with the help of the stars,moon foil atmosphere,give the novel full of poetic narrative mood.In addition,in the novel,consciously or with the help of such natural“chill”things as autumn nights and the cold moon,or through the“astrology”and“night dream”and other doomed tragic color of the novel narrative,or linked to the novel text and literary and cultural tradition of inter-text relationship,by introducing the novel text into the remote historical context,the author endows the novel text with desolate historical charm and profound cultural connotation.

关 键 词：《三国演义》 “倚夜”结纂 叙事方式 文学兴味 历史情韵 

分 类 号：I207.413[文学—中国文学]