舞蹈人类学的概念、路径和理论  

Concepts,Paths and Theories in Dance Anthropology

作　　者：刘晓真[1] Liu Xiaozhen(Institute of Dance,Chinese National Academy of Arts,Beijing,100029)

机构地区：[1]中国艺术研究院舞蹈研究所,北京100029

出　　处：《民族艺术研究》2024年第3期49-57,共9页Ethnic Art Studies

摘　　要：舞蹈人类学自始至终都是学科交叉的产物,其学科建构是在学人不断提出问题和重审反思的基础上拓展、累积和推进的。作为交叉学科,舞蹈人类学主要有两条研究路径:一种是遵从和套用传统人类学的方法,以舞蹈作为案例来验证已然存在的认识;还有一种是以动作研究为核心,在人类学理论和以舞蹈为代表的人类身体活动之间找到理论的接洽点。动作是舞蹈人类学的核心物,舞蹈是建立在身体动觉经验基础上的文化模式,与普通的人类行为不同,它具有内在的语言象征和审美价值。在世界范围内,倡导一种非西方、非现代的舞蹈观念才能真正充实舞蹈人类学的内涵,世界多元文化的经验是舞蹈人类学理论保持生命力的土壤。Dance anthropology has always been a cross-disciplinary product,and its disciplinary construction has been expanded,accumulated,and advanced on the basis of continuous questioning and re-examination and reflection by scholars.As a cross-disciplinary discipline,dance anthropology has two main research paths:one is to follow and apply traditional anthropological methods,using dance as a case study to validate existing understanding;and the other is to take movement research as the core to find a theoretical connection between anthropological theories and human bodily activities as represented by dance.Movement is the central object of dance anthropology,and dance is a cultural model based on the kinesthetic experience of the body,which is unlike ordinary human behavioras it has inherent linguistic symbolism and aesthetic value.In the world,the promotion of a non-Western,non-modern concept of dance can truly enrich the content of dance anthropology,and the experience of world's multiculturalism is the soil in which the theory of dance anthropology maintains its vitality.

关 键 词：舞蹈人类学 概念界定 动作研究 经验 理论 

分 类 号：J70-05[艺术—舞蹈]