风格化、反类型与“生活流”——论电视剧《平原上的摩西》的艺术创新与文化记忆  

Stylization,Anti-typology and“Stream of Life”:On the Artistic Innovation and Cultural Memory in the TV drama Why Try to Change Me Now

作　　者：苏涛[1] 袁旭 SU Tao;YUAN Xu(School of Liberal Arts,Renmin University of China,Beijing 100872,China)

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《贵州大学学报（艺术版）》2024年第4期63-70,共8页Journal of Guizhou University Art Edition

摘　　要：电视剧《平原上的摩西》改编自双雪涛同名小说,创作者以高度风格化的方式对原著进行了新的阐释,导演张大磊采用长镜头呈现日常生活,通过视点、镜头调度及色彩、音乐等手段,呈现了一段“生活流”。创作者突破了固有的悬疑类型范式,并以悬疑的日常化、风格化推进叙事、观照人性。该剧对原著小说主题及主要人物命运的改写,体现了创作者对文学、电视剧两种媒介差异的精准把握,表现出不同于原著的艺术风格和生命态度。Adapted from the novel of the same name by SHUANG Xuetao,the TV drama Why Try to Change Me Now renders a new interpretation to the original work with a highly stylized way as the director ZHANG Dalei employs long shots to present daily life,representinga“stream of life”withpoint of view shots,camera scheduling,color,music,and other means.The creator breaks through the inherent paradigm of suspense thrillers and promotes the narrative and contemplation of human nature through the daily and stylized employment of suspense.The TV drama offers a rewriting of the theme and the fate of the main characters in the original novel that reflects the creator’s precise grasp of the differences between literature and TV dramas bydisplaying an artistic style and life attitude that are different from those in the original novel.

关 键 词：文学改编 《平原上的摩西》 “生活流” 反类型 文化记忆 

分 类 号：J905[艺术—电影电视艺术]