晚清京城王府与宫廷武戏演剧的交流互动  

Exchanges and Interactions between the Performances of Martial Plays in the Royal Mansions and Those of the Court Opera in the Capital Beijing during the Late Qing Dynasty

作　　者：徐建国[1] 刘娜娜 XU Jianguo;LIU Nana(College of Liberal Arts,Shanxi Datong University,Datong,Shanxi 037009,China)

机构地区：[1]山西大同大学文学院,山西大同037009

出　　处：《贵州大学学报（艺术版）》2024年第4期71-78,共8页Journal of Guizhou University Art Edition

基　　金：2022年国家社科基金艺术学项目“晚清民国武戏演剧史料整理与研究”(项目编号:22BB035)。

摘　　要：晚清京城王府演剧是特殊的戏曲现象,是宫廷演剧的外部延伸,作为民间与宫廷戏曲的纽带,代表了宫廷演剧的时尚。王府演剧与宫廷的武戏演剧有着密切的交流互动关系,表现在王府大臣频繁进入宫廷参与其演剧活动,追捧清宫内廷的武戏艺人和喜爱内廷演出的武戏剧目,并向宫廷反馈民间盛行的武戏剧目,进而完善宫廷的戏曲演出,也对民间武戏的繁荣做出了贡献。In the late Qing Dynasty,the opera performance in the royal mansions located in the capital Beijing was a special opera phenomenon,which is an external extension of the court opera and a link between the folk and the court opera,representing the fashion of the court opera.And there existed a close exchange and interaction between the opera performance in the royal mansions and the martial plays in the court opera,which was manifested by the officials in the royal mansions who frequented the Royal Court to participate in the drama activities,adored the martial artists and their repertoire in the court opera,and reported the popular repertoire of the folk opera to the Court.In this way,they then improved the performance of the court opera and contributed to the prosperity of the martial plays in the folk opera as well.

关 键 词：晚清京城王府 宫廷演剧 武戏 

分 类 号：J809.2[艺术—戏剧戏曲]