“多源综合”和“以表演为中心的综合”——周贻白中国戏曲史研究中的综合艺术观念  

“Diverse Integration”and“Integration Centered on Performance”:ZHOU Yibai’s Integrative Artistic Vision on the Study of Chinese Opera History

作　　者：陈杰 CHEN Jie(Department of Traditional Chinese Opera and Literature,National Academy of Chinese Theatre Arts,Beijing 100068,China)

机构地区：[1]中国戏曲学院戏曲文学系,北京100068

出　　处：《贵州大学学报（艺术版）》2024年第4期79-84,共6页Journal of Guizhou University Art Edition

摘　　要：综合艺术观念是贯穿周贻白戏曲史研究的核心观念。周贻白认为中国戏曲起源自歌、舞、乐、优四个基本元素,随后他又将杂技和武术纳入到组成戏曲的元素之中。戏曲的多源综合是以表演为中心的综合,演员的表演实则是综合其它艺术门类成为戏曲这项艺术的枢纽。中国戏曲的舞台美术是为表演服务的,它和歌、舞、杂技等都以表演为中心综合成为统一的戏曲艺术。The integrative artistic vision serves as the core principle guiding ZHOU Yibai’s research on the history of Chinese opera.ZHOU Yibai posited that Chinese opera originated from four fundamental elements:song,dance,music and acting.Subsequently,he incorporated acrobatics and martial arts into the composition of opera.The multiple integration of opera is an integration centered on performance,as actors’performances serve as the pivot that integrates other art forms into opera.The stagecraft of Chinese opera is designed for performance,integrating singing,dancing,acrobatics,and other forms into a cohesive art form centered on the performance.

关 键 词：周贻白 综合艺术观念 多源综合 表演中心 演员演故事 

分 类 号：J809.2[艺术—戏剧戏曲]