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作 者:赵娜[1] 于亮[2] ZHAO Na;YU Liang(School of Lifelong Education,Nanjing University,Nanjing,Jiangsu 210093,China;Chinese National Academy of Arts,Beijing 100029,China)
机构地区:[1]南京大学终身教育学院,江苏南京210023 [2]中国艺术研究院,北京100012
出 处:《贵州大学学报(艺术版)》2024年第4期119-124,共6页Journal of Guizhou University Art Edition
基 金:江苏省社会科学基金青年项目“视觉文化视域下的江苏革命题材书画研究”(项目编号:20YSC003)。
摘 要:1936—1940年,画家吴夔在贵阳参加了两个重要的抗日艺术团体:沙驼话剧社和筑光音乐会,为抗战做出了重要贡献。在沙驼话剧社中,吴夔凭借其深厚的美术功底与敏锐的政治洞察力,为话剧社提供了大量富有特色的舞台美术设计,作为社长,他精心组织了数场抗日救亡活动,让救国的理念深入人心,激发了广大民众的爱国热情。在筑光音乐会中,吴夔积极参与各项活动策划与组织工作,通过音乐会、街头演讲等多种形式,广泛宣传抗日救亡理念,为抗日宣传活动注入了新的活力。The painter WU Kui joined two important anti-Japanese art groups from 1936 to 1940 in Guiyang:Shatuo Drama Club and Zhuguang Concert,making important contributions to the Anti-Japanese War.In Shatuo Drama Club,WU Kui provided the drama club with a large number of distinctive stage art designs with his profound art skills and keen political insights.As the president,he carefully organized several anti-Japanese and national salvation activities,which allowed the concept of saving the country deeply rooted in the hearts of the people by inspiring their patriotic enthusiasm.During his stay in the Zhuguang Concert,WU Kui actively participated in the planning and organizing various activities.Through concerts,street speeches and other forms,he widely publicized the concept of anti-Japanese and national salvation,injecting new vitality into anti-Japanese activities.
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