浙派三诗僧考略  

On the Three Poem Monks of Zhejiang School Poets

作　　者：王小恒 WANG Xiaoheng

机构地区：[1]重庆第二师范学院文学与传媒学院,重庆400065

出　　处：《重庆第二师范学院学报》2024年第4期56-61,128,共7页Journal of Chongqing University of Education

基　　金：重庆第二师范学院高层次人才科研启动项目“浙派诗人群体研究”(2023BSRC016)。

摘　　要：浓厚的在野倾向是清代中期浙派诗人群的重要属性。大量方外人士对浙派诗人群体诗文化活动的深度参与,在一定程度上成为这一属性形成的重要因素。释明中、释篆玉及释上绪三位诗僧可以说是浙派方外诗侣中最值得关注的外围成员。通过考索相关材料,可以认定,他们对于浙派诗人群体的意义尚不止于和此派成员寻常的唱和交游,他们诗文化活动更大的价值在于,他们对于浙派诗群南屏诗社的形成和活跃起到了支撑作用。因此,对于他们诗史价值的厘定,构成整个浙派诗人群体研究的重要一环。The strong tendency towards not being in office was an important attribute of the Zhejiang School poets in the mid Qing Dynasty.The deep participation of a large number of monks and Taoists in the cultural activities of the Zhejiang School poets has to some extent become an important factor in the formation of this attribute.The three po-etic monks,SHI Mingzhong,SHI Zhuanyu,and SHI Shangxu,can be said to be the most noteworthy peripheral members of the Zhejiang School of poetic monks.Through researching relevant materials,it can be concluded that their significance to the Zhejiang School poet community goes beyond just ordinary poetry recitation and communica-tion with other members.The greater value of their poetry cultural activities lies in their support for the formation and activity of the Nanping Poetry Club,a sub poetry group of the Zhejiang School.Therefore,the determination of the historical value of their poetry constitutes an important part of the research on the entire group of Zhejiang School poets.

关 键 词：浙派 释明中 释篆玉 释上绪 南屏诗社 

分 类 号：I206.02[文学—中国文学]