传统书画鉴藏伦理观下的伪作及作伪者  

Counterfeit Works and Their Counterfeiters Under the Ethical View of Traditional Calligraphy and Painting Collection

作　　者：牛国栋 NIU Guodong(Academy of Fine Art&Design,Northwest Normal University,Lanzhou 730070,China)

机构地区：[1]西北师范大学美术学院,甘肃兰州730070

出　　处：《美育学刊》2024年第4期64-70,共7页Journal of Aesthetic Education

基　　金：国家社会科学基金艺术学西部项目“中国传统书画鉴藏心理机制研究:以马远绘画鉴藏为例”(20EF206)的阶段性成果。

摘　　要：传统书画鉴藏家之所以对伪作及其作伪者持有包容心,其一是因鉴藏之事属于“雅事”,是鉴赏力和审美力的角逐,并不完全遵循商业买卖的伦理;其二是传统鉴藏家普遍擅长书画创作,易将书画审美价值置于第一位,而非真伪之客观性;其三是对审美价值的认可并不寄托于某种“恒存”或“原创性”的实体之上,而是着眼于审美价值本身。The reason why traditional collectors of calligraphy and painting have a tolerant attitude towards counterfeits and their counterfeiters is twofold:firstly,the act of collecting works belongs to the category of“elegant things”,which is a competition between appreciation and aesthetics,and does not fully follow the ethics of commercial transactions;Secondly,traditional collectors are generally skilled in creating calligraphy and painting,and tend to prioritize the aesthetic value of calligraphy and painting over the objectivity of authenticity;The third point is that the recognition of aesthetic value is not based on a certain entity of“permanence”or“originality”,but rather on the aesthetic value itself.

关 键 词：书画鉴藏 伪作 作伪者 鉴藏伦理 

分 类 号：J212.05[艺术—美术]